dröm sessions: Lili Scratchy

We catch up with French illustrator – Frédérique Bellier, better known as Lili Scratchy! Read our full interview with here over at our website here.

I would tell all aspiring illustrators out there that having the sensibility is more important than the technique.
 To feed your spirit, with readings, exhibitions, movies and music.
 Keeping your eyes & ears open very big!!!” ~ Lili Scratchy

Lili Scratchy’s badges and postcards are also available at the little drôm store!

dröm sessions: Polkaros

For the month of March, we spoke to Singaporean lifestyle product & zakka designer, Ros Lee also known as the amazing Polkaros! Polkaros is and has been working/living in Japan for many years now. In this interview, we find out from her what creativity and courage is all about, especially when she made the bold decision to relocate herself to another country of a different language and culture to pursue her dreams.

For all you MT Tape fanatics that have yet to set foot on any MT Factory tours, Polkaros also shares with us her magical experience she had at the MT factory tour and also at the MT hotel!

Read the full interview over at out website here!
http://www.thelittledromstore.com/session-7-polkaros/

To all Polkaros fans, her lifestyle zine is available and for sale at the little dröm store, it comes with a Polkaros totebag too!


dröm sessions: Beci Orpin

Read our full interview with Beci over on our website here.
For this month’s dröm sessions, we speak to Australian designer, Beci Orpin! As visual junkies at heart, we definitely went gaga crazy over Beci’s Orpin love for collecting and creating. Her great sense of mastering the art of orchestrating all that palette of psychedelic colours, and ability to harmonize all the eclectic elements within her work(s) is definitely a jaw dropper. It is definitely no easy feat for us, but they all seem so effortless for Beci. So here’s a little bit of what goes behind her magic.

For those of you who might be thinking of visiting Melbourne, Beci actually shared some of her recommended favourite places in this dröm sessions!

dröm sessions: Beci Orpin

Read our full interview with Beci over on our website here.

For this month’s dröm sessions, we speak to Australian designer, Beci Orpin! As visual junkies at heart, we definitely went gaga crazy over Beci’s Orpin love for collecting and creating. Her great sense of mastering the art of orchestrating all that palette of psychedelic colours, and ability to harmonize all the eclectic elements within her work(s) is definitely a jaw dropper. It is definitely no easy feat for us, but they all seem so effortless for Beci. So here’s a little bit of what goes behind her magic.

For those of you who might be thinking of visiting Melbourne, Beci actually shared some of her recommended favourite places in this dröm sessions!

Gemma drawing for her exhibition mural at Chapter, Cardiff.

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Happy December all you drömmers! We’re sure Gemma is no stranger to many of you, you might have already stumbled upon her works on magazines such as Frankie and Anorak.

We all know her illustrations never ever fail to put smiles on faces, they could possibly chase all your Monday blues away too. Occasionally, we’ve even had customers giggling to themselves quietly at a corner while browsing Gemma’s products over at our store.

And so, especially to all you pug lovers out there, this month we speak to UK illustrator Gemma Correll!!

#1) Hello there Gemma! We’d like to know how did illustration became a part of who you are, what started your passion?
As a child, the things I loved to do most were read books and draw pictures. My parents had some cartoon books, like The Far Side and annuals by the British cartoonist Giles and I’d spend hours reading those. Even though I didn’t completely understand them, I loved the combination of text and image with humour. I’d collect old notepads and make my own “books” and I wrote and illustrated a page in my church newsletter every month for nearly 10 years. At school, I used any project as an excuse to draw cartoons and I entered lots of competitions, too. I knew very early in my life that I wanted to draw and write for a living.

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Cartoons for Emirates Airlines In-Flight magazine 2

#2) Seeing that you always draw up something daily, we’d imagine you’d have heaps of sketch books/pads by now, how do you decide/choose which illustrations get to see the light of day? What inspires you to illustrate the way do?

Yes, I have lots of sketchbooks. I love them. I think they’re the things I would save first (apart from the Pugs and Anthony, obviously) if my house was on fire. I keep the ideas until they fit a particular project, or sometimes if I really like an idea and I have a bit of spare time, I’ll draw it up ‘properly’. My style is very quick and intuitive, I like to get my ideas down onto paper in the simplest way possible.

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#3) What are some of your favorite tool/object from our studio, things that you love very much?

My favourite things are really just the simple necessities- my sketchbooks, paper, pens and pencils and inks. My chair is pretty comfy, too.

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desk4imagepictured above are snippets of Gemma’s studio

#4) Do you have an all time favorite Gemma Correll illustration/project piece/product?

I guess it would have to be my “Pugs Not Drugs” illustration. Even though I am kind of sick of it now, it is my most popular image and it’s really helped my work get noticed, especially since it’s been printed on various different products, including T-shirts and tote bags. It’s a couple of years old now (I drew it in 2009) but it’s still popular and it reminds me of Mr Pickles, because sales of the tote bag helped me raise the money I needed to buy a pug puppy!

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Gemma and Mr Pickles



#5) What are some of the things you do to cheer yourself up, or to relieve you from any ideas block? Any favorite places you’d visit or some of your all time comfort food that do the trick?

We have a local café that I love to visit, we are friends with the staff and they always cheer me up while also providing me with much-needed caffeine. I also like to go for a walk- if it’s not raining- with the pugs or have a look in some secondhand “charity” shops in the neighbourhood. If I’m having an ideas block, I often read some magazines or the newspaper, somewhere comfy, with my sketchbook next to me. That usually helps!

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Gemma Correll badges for Made By White
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A snippet from Gemma’s What I Wore Today collection

#6) Your husband, Anthony Zinonos, is also an illustrator, how do you both inspire and encourage each other? It’s always heartening to know that your partner is also in the same industry, that way, both are able to better understand and share each other’s woes and joys as artists. (Our puggiest congrats on your recent wedding too btw!!)

We both work in the same studio, so it’s nice working together in a comfortable silence or with some nice music and being able to bounce ideas off each other.  Our illustration styles are very different- mine is cartoon-y and he does collage - but we share a similar sense of humour which comes across in our work in different ways. It’s great to be able to help each other with the less-fun bits of being freelance, like accounts and admin, and we both understand that freelance hours are not the standard 9-5 but encourage each other not to overwork and to take breaks and eat proper meals!
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Screenshot of Anthony’s Website.
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Anthony’s “15 slides’ zine”, available in his online store here.

#7) What are both of your biggest aspiration as illustrators, do you & Anthony have any future plans to collaborate or perhaps even set up a design/illustration studio?

We are always talking about collaborating, but we never have time. I guess we’ll do it one day. We would both love to live in America somewhere and have a big open plan studio but I don’t know if that will even happen, realistically.

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An embroidery for “Ceci n’est pas un Pug” at Land Gallery PDX

#8) Your super adorable pugs, Mr Norman Pickles & Bella must be such bundles of joy to have around your studio! Do they bug you at all while you are working, secretly hoping for some treats and walkies? How are you able to resist their adorable silly faces? We know we can’t with our pugs around, we’re often very easily distracted by their subtle acts of emotional bribery. What are some of their quirks that often amuses both you and Anthony?

Usually, when we’re in the studio, the pugs will sleep in their baskets. Mr Pickles sometimes wants to play and it’s hard to say no when he looks so cute. He also likes to jump up on my lap while I’m working which is lovely but it’s not very easy to draw with him there! They are both so entertaining though, I love having them in the studio. They’re always making funny little noises. They have a basket each but Bella will often go and sit on top of poor Mr Pickles in his basket.


The tao of pug

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Bella

Mr Norman Pickles


Visit Mr Pickles & Bella’s blog here! Or add them as your facebook friends if you’d like.

#9) Do you travel overseas frequently? Would you by any chance, ever pop by to our little sunny island, Singapore?

I do travel quite a lot. I’m very lucky. I’ve never been to Asia though (or anywhere further east than Cyprus, in fact) and I would absolutely love to visit Singapore. It looks beautiful.

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Exhibition at Small Stuff 4 at Bird Gallery, Launderhill (Florida)

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INKYGOODNESS exhibition at Custard Factory (Birmingham)

#10) Lastly, is there anything that you can say to advise or encourage all new/aspiring illustrators out there?

I always encourage aspiring illustrators to work hard and persevere, even though it can seem like an uphill struggle at times. You really have to love what you do. As they say, genius is one percent inspiration and ninety nine percent perspiration.

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Mural for Comma exhibition (Oxford) with Mr Pickles basking in the sunlight!

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If you’d like to bring a piece of Gemma Correll’s awesomeness home, hop on over to our store! We’ve got a couple of Gemma’s products stocked at the little dröm store. For your (almost) daily dose of Gemma’s wit, visit her blog here!

Debbie Carlos’s art has been something that remained deeply etched in our heads throughout the years. Her photographs often contain a little quirk and a somewhat silent space within that allows her subjects to have voices of their own. We’ve been a fan of her works, even from many years back. So for this dröm sessions, we’re actually quite excited to share the works of Debbie Carlos. It was a nice warm fuzzy feeling to be able to speak with her since.

Debbie was born in Los Angeles and grew up in Manila, Philippines. She has since studied psychology at Clark University in Massachusetts and photography at the School of the Art Institute of Chicago.




Hello there Debbie! How did photography became a part of who you are, what started your passion in photography?

Hi Dröm!
I have enjoyed making art since I was young. My first real experience with using the camera in a knowledgeable way was during the summer I spent at a fine arts camp during high school. That’s where I really fell in love with photography, but I had to pack up my camera during college to study psychology. During the last semester of my senior year, I took a photography class and was hooked again. After getting my first degree in psychology, I went back to school to study photography.


a 2012 calendar: collaborative work between Debbie & her brother, Dante Carlos.


Test printing on fabric

What is the driving force behind your craft? What makes you pick up your camera and decide on what makes a shot?

Its funny because I know exactly what I like and what I like to capture but am not entirely sure why and when I make that decisive moment to press the shutter button. Its sort of an informed but intuitive process. A lot of times, I’ll take a picture of something when I don’t even feel that strongly about it. I’ll go back to it after a little while and see why I took it. The way the subject is glancing, something caught in the background. Its like a weird middle ground between happy accident and knowing.


If we’re not mistaken, you used to “revive” vintage analogue cameras (I think it was the Kodak Brownie) that used obsolete films by modifying them. Do you have any photograph(s) that were successfully shot & developed from this experiment? Can you describe a little, what modifications were made to produce these shots?

Yeah, I used to be into the old (and new) toy cameras. I didn’t do much modifying other than sealing holgas and dianas with electrical tape to prevent light leaks. I used to also mess up my polaroids once they came out of the camera by bending it to try to get a weird effect in the image.  

At one point, maybe 7 years ago , I mainly used my diana, holga, polaroids and a lomo lc-a as my primary equipment so most of the images from that time were probably made on toy cameras.


results from one of debbie’s toy camera modification experimentation

Analogue & film or digital & pixels? Do you have a preference between these 2 mediums, why?

I will always prefer shooting on film and bringing it into digital for post. There is something about film — the grain, the almost instant atmosphere and loveliness it can inject into images. It just imbues the picture with feeling, emotion, meaning.  I edit digitally because I feel like I have more control, the process is faster and its also cheaper. I’ve never really liked the darkroom process.


Do you have a favorite camera that you usually shoot with? Do you have a collection of many cameras at home, if so, how many (both working ones and for display)?

Up until about a year ago, I had been using a pentax 35mm slr for most of my pictures but I have gotten increasingly frustrated with the cost of film and how inconsistent the image quality was. Also, being able to blow up 35mm images was very limiting. I now shoot with a Canon Rebel for both personal and professional projects.

It seems like much fun to visit the spaces of creative individuals! What made you decide to start on your project “studio tours”? Would you eventually publish a printed publication out of these photos?

The first studio tour I did was actually something someone hired me to do. I found I really loved it. A lot of the pictures in my body of work take place in an interior or a domestic environment and I think its sort of an extension of that. A studio is a home away from home. Its a work space but its also really personal. I’ve always felt like it was cool, even a privilege,  to see what goes on behind the scenes but maybe I just like to have an excuse to snoop around.

I also love being able to connect with people I really admire. That’s probably the best part.


studio tour: bf/gf
Studio tour: Boyfren/Girlfren





AHC: Modern Adornments by Debbie

We really enjoy reading your blog because you are so hands on in other forms of creative mediums as well, apart from photography. We love your embroidered scouts patches, they’re brilliant! You also started AHC in 2011, where you create your own line of accessories as well. Were all all these creativity discovered when you were young or along the way, as you grew up?

Thanks! In terms of the jewelry, I used to make simple necklaces when I was young. One of my favorite memories is going to buy beads, cords and clasps every time my family would go to Taiwan every summer. I would spend hours in my grandparent’s house making necklaces and bracelets and giving them away to my family.

The embroidery is a more recent discovery from my time at art school. Both embroidery and jewelry making are such tactile activities and a really nice change from clicking a bunch of buttons and being on the computer.




some of Debbie’s hand embroidered scout patches, aren’t they just amazing?!

Do you have an all time favorite Debbie Carlos photo/creation/project?

I’m not sure. I have a lot of pictures that become favorite pictures of the moment, but being someone that uses her camera constantly and does not usually work in series, my favorites always change.


Featured directly above is one of Debbie’s favourite photo

You studied psychology at Clark University in Massachusetts and photography at the School of the Art Institute of Chicago. We’re reminded of how some friends/customers often struggled choosing between the academic & creative side of them. It is 1 thing to call what you love a hobby and another to call it a career. What made you decide to pursue/choose photography instead, what were some of your main thoughts/mental conflicts behind it (if any), and was it a tough choice?

There was never really a doubt in my mind that being an artist or a photographer was a good and valid profession. The only hesitation came from whether I would be any good, whether anyone would like my work, and whether I could make a living from it. After graduating from art school, I was working in photography, just not as a photographer. When my position as a studio manager went from full time to part time, I had to find a way of making more money so I was essentially pushed into putting my own work out there. It was scary for sure, but I think it was one of the best things that happened to me.


Lastly, is there anything that you can say to encourage/advice all creative individuals out there who are thinking of making a career switch, or are contemplating between pursuing their creative side over the academics?

Doing what makes you happy is the most important thing.


To read up more about Debbie and her recent works, visit her blog here!

masthead: tatum


For this dröm session, we put the spotlight on photographer, Tatum Shaw. 
Currently residing in Portland, Oregon, he shoots on both analogue and digital platforms. Some of his works include photo contributions in Nylon Magazine, Oregon Tourism, and Bloomberg’s BusinessWeek magazine. In this interview, he shares with us a few of of his favorite things, and also what inspires him.

Von Tundra
Von Tundra for Nylon Magazine. Von Tundra is an American design house specializing in the creation of contemporary furniture, fixtures, installations, and interiors



Hello there Tatum, please introduce yourself.

I’m Tatum Shaw. I’m a photographer.

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How did photography became a part of who you are, what started your passion in photography?

I’ve been taking pictures since college, but it wasn’t until after college, at a portfolio school for advertising, that I came to understand composition and what makes a good image. After that, I began taking pictures in a whole new way. When I got out of school, I began work at an advertising agency and was exposed to all kinds of photographers. I learned about film and cameras and decided I wanted to give photography more serious attention. All it took was for a few images to come out really nice to convince me that this was something I could do.

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What is the driving force behind your craft? What makes you pick up your camera and decide on what makes a shot?

It’s usually something that strikes me as odd. A composition. A color pattern. A pose. Certain lighting. Those are my favorite shots to get. Weird little visuals that present themselves in the day to day. I like capturing them for myself and then sharing them for other people to see.

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You are currently residing in Portland, Oregon, can you describe your surroundings and environment from where you live? Does it inspire you in any way?

Portland, for the most part, is dark and rainy. I rarely pick up my camera here except for the few summer months of sunshine. That’s why you’ll see most of my photos are taken in the south, when I’m visiting home, or when I’m traveling away for my job. A lot of them take place in Los Angeles, where I go for work a lot.

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Tatum had his first ever solo photo show at the Wieden + Kennedy gallery on January 5 2012.





Could you name us some of your favorite spots/ shops/ cafes/ eateries in Portland, could you introduce them to us?

Ampersand. There’s no photo/art book store like it. Extremely well curated shop with monthly installations, as well as vintage art finds. Everything from old mug shot photos to scientific textbook illustrations.



DOC. My favorite restaurant. Small place with a kitchen in the front. You meet the cooks as you walk in. They you drink amazing wines and fresh food.



PokPok. Vietnamese street food. I crave it twice a week.

We see that you also shoot using Polaroids, 35mm films, together with large and medium formats. If tight deadlines weren’t a priority, would you have preferred shooting on analogue film/film cameras as opposed to digital and why?

So far I’ve been lucky that all my paying jobs have let me shoot film. It’s what I prefer. Digital, to me, is just cold and clinical. I don’t feel anything with it.  Even if I see a digital image I like, it’s usually been reworked in post to look like film.

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What are some of your favorite tool/object from our studio, things that you love very much?

Well, I don’t have a studio. I have an office in my house with high ceilings, a skylight, and a leather couch. It looks out into my back yard. I like going from my computer at my desk to my couch with a book or art book, and then back again. My favorite tool from my studio would be my Contax camera.

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Tatum Shaw’s favourite camera

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Part of Tatum Shaw’s office


Do you have an all time favorite Tatum Shaw photo/creation/project? 

There are a couple early shots of mine. The dollhouse in my Etowah series, and the cigarette in the hand from behind a pole I shot in New York. I like those because they were two of the first images I shot on film. When I saw them, I thought, “This is what I want to do. This is what I want all my pictures to look like.” They kind of set the tone for my voice.

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dollhouse from the Etowah series

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Lastly, is there anything that you can say to encourage all new/aspiring photographer out there?

Keep going. Don’t get discouraged. It took me years to figure out what makes a good image. I know a lot of talented people who pick up a camera for a few months, but then put it back down because they get frustrated. They could be so good. I still keep a Flickr page. All my early stuff is on there, even the crappy old 4mb digital shots. I was pretty bad. I just kept at it.

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A shot inside Inventory magazine store during his Vancouver visit.

dröm sessions: Nathalie Lété

For this dröm session, we’re featuring Nathalie Lété!
We absolutely love the mish mash of clashing bright colours she works with.

She works for brands such as Monoprix, Issey Miyake, Bourgeois.
She also collaborates regularly with many brands (both in france and abroad), such as Astier De Villatte, Vilac, and Anthropologie.

You can find reoccurring throughout her works, themes like toys, birds, flowers, and of course Paris!

In this interview, she lets us in to her world of imagination, and introduces us to her love for collecting vintage objects, dolls, and fairy tales, here we go!


Hi Nathalie, Please introduce yourself!
I am born in 1964 from a Chinese father and a German mother.
That is perhaps why you can occasionally find asian motifs, mixed with folk imageries from eastern european countries reflected in my works.

I’ve been transforming everything I touched since a very young age, and enjoy mixing themes and techniques in a joyful effervescence until today.

After studying fashion design at “Art Appliqués Dupérré School”, and then lithography at “Beaux Arts De Paris”,  I began to create drawings, paintings, ceramics, knitted and sewn dolls, children‘s illustrated books, silk screens, carpets, and textiles.

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The little red riding hood


When did you draw/paint your first illustration, did it started when you were young?
First I would like to explain that I don’t feel as an illustrator because it is very complicated for me to label myself as an “illustrator” , I don’t like it at all to be honest. in fact I want to keep the freedom as an artist would have, that means being able to do what I like to do, onto any mediums.

I usually paint what I feel is right, and thereafter when the paintings are finished, I propose them to my publishers to do some products with them. Sometimes i take in some special commissions, but if I feel the subject has strayed too far away from what I do naturally, I’ll reject them and say “No”. I don’t want to make drawings which are not fluid and natural for me, it must be something that I believe in or I would feel that I’m not honest with myself.

I paint since I’m little girl. I’ve always liked doing something with my hands. I didn’t thought that it would be possible for me to create a living out of this passion. But an astrology predicted of my future when I was 18, and told me about me working/leading as an artist life. It was interesting seeing none of my family or relatives were artists. I had absolutely no idea then.

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Nathalie Lété’s atelier

What started your passion in illustrating? What is the driving force behind your drawing passion?
My passion in drawing and painting started because I feel this is the only thing I like to do. I also like dancing, and moving my body, in fact I’m not very sociable, I prefer to shy away, to be alone and work than to be outside with friends. It had always been like this ever since when I was young, so this is my way of life. I feel good when I create something. Everyday must be to be a good day, a day of creation.

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We see that a lot of animals in your artwork, do you have any pets? If so, please introduce them to us.
I have 2 pets myself. My dog “SPIKE” the dachshund and two canaries (which unfortunately have no names). I also have many stuffed animals and toys which are like part of my small family!!

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Nathalie Lété’s dachshund, Spike!

Can you introduce us some of your favorite/comfort/happy food/drink?
I don’t drink alcohol at all, otherwise I would have a headache, so I love to drink water, tea (like herbal tea). I love Chinese food. I was always accustomed to eat Chinese food, because of my Chinese father. I specially love sweet pork, In fact sweet and salted foods are my favorites.

I love also Japanese food because it is healthy. At home I cook everyday. I have two teenagers, and my daughter likes to eat vegetables, and fruits. She loves to take care of her body, so I try to cook very healthy food. I love to finish dinner with a fruit salad in same way I love smoothies and milkshakes, especially with coconut milk!

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Which country are you currently living? Can you describe your surroundings and environment from where you live? Is it inspiring?
I have always lived in France, near Paris. As a child, I lived in the suburb of Paris, and then when I was between 20 and 38, in Paris.  Still at 38, I live in Ivry which is just one street outside from Paris.

We live in a old factory rehabilitated in lofts. We bought 3 lofts ten years ago: one is our house, one is my studio and the third belongs to Thomas Fougeirol, my husband’s studio (who is also a painter). In between all 3 lofts are a garden full of cats and a few dogs, it is very inspiring to live here amongst the green. I like to be in Paris, but I’m always happy to come home, especially after afternoons when feeling tired.

When I was a kid, I lived near a big park and was always walking in the park with my dogs and my mother. I love to be in the nature, I love cities too but only as a tourist for short moments. I definitely need the nature and its greenery.

As a kid, I also spent much of my holidays with my grandmother who lived in Bavaria, Germany. It was a beautiful village that was near lakes, I loved the souvenirs I have from that place.


nathalie's favourite object: bambi
Nathalie Lété’s favourite object: bambi-bureau

What is a typical day like for you from the moment you wake up?
I usually wake up early, the same time as my kids, so can be 6.30 or 7 o’clock.
I have my breakfast with family and read my emails at same time. I would then go out with Spike, my dog, clean the house and do the laundry, and I’ll be at my studio around 8.30 or 9 o’clock.
 
I would also then feed my canaries, and then work on my projects until 12.30.

I have lunch with my husband at home for an hour, and work again until 6 o‘clock.

After walking with my dog, I head to the post office, come back home and cook with my daughter Angele who is 16.

At 7.30, we have dinner, and watch TV. At around 10 o’clock, I take a bath, and go to bed.

This is my normal week day, I’m very regular throughout. On weekends, we walk in the forest in the morning, and watch many movies (we love all sorts of movies in my family!) and I try to take things slowly and take time to read magazines.

What are some of your favorite item/object from our studio, things that you love very much?
I love my toy collection and also my stuffed animals. I love also the light in my bedroom and in my studio, the light from the windows is very important for me.

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Nathalie Lété’s stuff toy collection, and her room


Nathalie Lété’s toy collection

Do you have a favorite Nathalie Lété creation?
i love specially all my work i did around the theme of butchery I did 10 years ago, that is the reason why i want to continue this series. I also like the last wallpaper “forest” I did in collaboration with DOMESTIC very much.

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Nathalie Lété’s favourite work

Lastly, is there anything that you can say to encourage all new artists/illustrator out there?
I would say..work work work.  It is rather difficult to say more, because we are all different. But in my case I always tried to be honest with myself and to do the things with love and tried always to do my best in everything.

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Selected Nathalie Lété’s products are also available at the little dröm store. Signed copies of her book “Bric A Brac” are available at the little dröm store, every copy has a different illustration!

nathalie lete's signed book!

nathalie lete's signed book!

nathalie lete's signed book!

masthead: yamaguchi

DRÖM SESSIONS

featuring :: Yamaguchi Yohei (Japan/Singapore) ::

Happy weekend to all you drömmers!

dröm sessions” is something that we recently decided to introduce to our blog. We hope to seek out and feature some of our personal favorite artists/designers/crafters/creators, to share a little insight of what they do and also what goes behind their work(s).

To start with, we’d like to feature Yamaguchi Yohei, a Japanese artist currently residing in Singapore. At first, we were thinking if we should edit his answers, but we thought to ourselves: “You know what? Let’s leave them unedited, his replies are endearing and adorable as is!”


Please introduce yourself.
My name is Yamaguchi Yohei.
I am a native Japanese guy from Hokkaido in Japan. I am a certified language teacher, teaching Japanese to people here. At the same time, I am also doing some freelance illustrations for clients in Japan. My favorite food in Singapore are Economic rice and dessert, Chendol. My hobby is traveling around Asia countries.


Why do you love what you do?
I think drawing is a good communication tool for building good human relationship. Sports and music are as well. Using my drawings, I can communicate and connect with many people around the world. I always think my drawing is like my business card or identity card. For example, when someone ask me “who are you?” I can say “I’m an artist”. They see my drawings, they see me.


What started your passion in illustrating? What is the driving force behind your drawing passion?
I couldn’t remember exactly. I started having this great passion in drawing at a later age, compared to many people who might have started at a young age. I think probably anger, misery, some desire or when I feeling very negative about my life that make me draw. I would not draw if I’m completely happy and satisfy with my life. I just want to draw for people who wants to see my drawing. Guess drawing is my identity. I want to know people, so I use my drawing to make friends and connect to the world.


How long have you been living in Singapore?
I have been living here since Feb 2010.


Has living in Singapore changed you in anyway as an artist?
Singapore changed me a lot. I feel more relax here compare to the always fast paced Tokyo, and I can draw very freely now. Because no one and nothing here gives me stress.


How does is feel to as a Japanese illustrator/artist living in Singapore. Is these a huge cultural difference?
Living here, drawing here is great. Singapore is a stress free country compare to Tokyo. Culture differences? Yes of course I experience that all the time.  But it does not hinder or affect the way I draw or how I draw.


We understand that your wife is a Singaporean, has she influenced or inspired you and your art in any way?
She is my number one fan! I always draw for her. I might not draw anymore if she says she does not want to see my drawing one day.


What do you hope to say or share with the public with your illustrations. Is there a message behind your illustrations?
I hope many people can see my drawings. Actually I always enjoy looking at peoples’ reactions when they look at my drawings for the first time. I don’t think too much when I started drawing, inspiration and feeling just come out naturally. I don’t have any special message for the public. I just hope everyone will love my drawings. That’s all.

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Selected artworks, collectively titled “It’s not dinner” is currently being exhibited at the little dröm store.

14 May to 31 May
(we’ve extended the exhibition to another extra week!)
The Little Drom store
7 Ann Siang Hill Singapore 069791
Tel +6562255541

open Daily 12pm - 8:30pm
except Thursday 12pm - 7pm
& Sunday 1pm - 7pm